In today’s video Eric talks about melody, and how to interpret a phrase, in this new video including his own tips and shortcuts drawn from decades as a master of his art. He also talks about his time as a young boy studying classical guitar with Andrés Segovia in Spain.
Eric Live Radio Session KXFM
How to Play Eric’s Arrangement Of Jimi Hendrix's 'Little Wing'
How To Grow Your Audience? Listen Listen Listen!
Eric shares advice on how to grow your audience as a musician with a focus on the importance of listening.
He also talks about some of his favourite current classical guitarists including John Feeley and Stephanie Jones and performs examples including his own composition 'Muse' and 'Estudio No. 5' by Fernando Sor.
Learn How To Play Eric's Arrangement of 'Paint It, Black'
A 'Lullaby' For The Soul
Building on his past visits to Guitar Salon International, Eric returned to their Santa Barbara showroom for another performance recently, this time enchanting with his own compostion for classical guitar, ‘Lullaby’.
Choosing from their extensive collection, Eric chose to use a 1994 Jose Ramirez "1a Tradicional" CD/IN for this performance, a model of guitar which is perhaps the most played in classical guitar history. Read more about master guitar maker Jose Ramirez on the GSI website.
Classical Guitar Goes Surf Rock
New Exclusive Guitar Salon International Performances
Guitar Salon International Interview & Performance
Eric recently visited Guitar Salon International and was interviewed by the team there as well as recording a selection of pieces on some of their museum’s amazing guitars.
The interview covers Eric’s journey from his study under classical guitar master Andres Segovia in Spain at the tender age of 13, being only the third person invited to study privately with Segovia, to the highs and lows of his career including bouts of stage fright and illness.
Studying Bach and new compositions for concerts
I’m currently reviewing and studying the cello suite number 3 by J.S. Bach. I like to start by studying each movement’s rhythmic figures or motifs by physically tapping the rhythmic patterns on the back of my guitar. This gives me an insight of a uniform interpretation and understanding of what to convey to the listener.